Dr Roxanne Bodsworth Poem to Presentation to Paper Dr Roxanne Bodsworth presented “Poem to Presentation to Paper” on Monday, February 19, 2024, to the Creative Practice Circle via Zoom. In the presentation, she shared the journey of creative research in developing a paper for the Australasian Association of Writing Programmes annual conference. Post-conference, she developed […]
Donna Caffrey Developing an art practice: Rabbit holes, the butterfly process and mindfulness in textile art Symposium presentation 4pm Wed Dec 7 Abstract: I work in mixed media with a focus on stitch, textiles and paper. I’m a bit of a butterfly and flitter between works. Focus on and completion of one thing at a
Jacqui O’Reilly – Return from Erasure + Louise Curham – Crevice communities – extending the life of expanded cinema 2.30pm Tues Dec 6, Wagga Wagga Art Gallery Jacqui O’Reilly Return from Erasure, 2022 Composition for live performance, sound, moving image,15 minutes. This electro-acoustic sound & moving image performance is designed for an immersive and reflexive
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Dr Elizabeth Tait, our newest Creative Practice Circle member, presented From Conservation to ‘Reality Capture’- using 3D visualisation in participatory visual methods research via Zoom on October 10, 2022. This presentation showed how 3D capture and visualisation technologies can be used as mechanisms for community heritage co-production, both as data capture technologies and as mechanisms
Lizzie Tait presentation Read More »
Panel session recording (Zoom) 5.15pm Friday, August 27, 2020 Panel – Found sounds, remixed: storms and epics. Sam Bowker shows how the literary epic narrative remains a valuable vehicle for collecting, isolating and re-purposing the audible ‘found objects’ of the Anthropocene; Perdita Phillips speaks on using speculative devices to combat environmental amnesia.
Ted Hendrickson Babson’s Boulder, Kindness, Gloucester, MA. (2017) Pigment print on rag paper. Dimensions 330mmx 840 mm. During the past thirty-five years, Ted Hendrickson’s photographs have explored the nature of landscape as image. Ranging from the man-made scene of the built environment to the wooded and coastal landscape that comprises what is left of “Nature”
Jan Osmotherly What I heard Two videos with sound: Searching – video 5 min 38 sec; Gasping – video 4 min 55 sec As a visual storyteller my goal is to stimulate attitudinal change at a local level – which in turn will inspire action to respect and care for our planet and all living
Jack Randell Why Look at Animals 1) “Bongo” mixed media on Tyvec 38x52cm 2) “Przewalski’s Horse” ink, charcoal, graphite and wash on Tyvec 55x66cm I have depicted these subjects, being zoo animals, as highly alert but a disinterested observers of humans. This apparent indifference can be disconcerting to the zoo visitor. It represents a type
Wendy Alexander Regent Honeyeater – money-eater clutch Clutch purse knitted using traditional colour-work techniques, displayed on a foil cake-board. Wool, plastic button, wire, cake-board. H: 40 cm x W: 40 cm x D: 5cm. Knitted fabric inspired by the complex ‘negative’ patterning of black/white, and deep gold highlights, in the feathering of the critically endangered
Jacqui O’Reilly A bird’s got to sing Sound, video, 2:54 min. A bird’s got to sing is a tribute to the Silvereye bird, also known as the Zosterops lateralis, often found in local urban areas in NSW as well as other parts of Australia and New Zealand. Many studies in the field of Behavioural Ecology